Westfield / Poster
London, UK, 2021
by Andrew Meredith
The Westway route intertwines West London unveiling a dense landscape with stark contrasts between wealth and poverty. It’s a landscape that’s not really visible when speeding past in a car. Part of the series Walking the Westway, this photograph was taken just after the starting point of the journey at the Wood Lane elevated section in the West. The Westway splits the image in half highlighting the dual nature of the place: above huge repetitive patterns of the apartment developments and construction cranes rise into the mist. Below the ramshackle and dangerous junkyards next to the travellers' site beneath the Westway utilise every tiny space afforded to them.
Specifications:
Size 18x24″ open edition
Digital print on 189 gsm matt paper
Giclée print quality
Unframed
To know more details about this print see the Buyer Guide.
* Posters ship separately from all other items within the same order.
London, UK, 2021
by Andrew Meredith
The Westway route intertwines West London unveiling a dense landscape with stark contrasts between wealth and poverty. It’s a landscape that’s not really visible when speeding past in a car. Part of the series Walking the Westway, this photograph was taken just after the starting point of the journey at the Wood Lane elevated section in the West. The Westway splits the image in half highlighting the dual nature of the place: above huge repetitive patterns of the apartment developments and construction cranes rise into the mist. Below the ramshackle and dangerous junkyards next to the travellers' site beneath the Westway utilise every tiny space afforded to them.
Specifications:
Size 18x24″ open edition
Digital print on 189 gsm matt paper
Giclée print quality
Unframed
To know more details about this print see the Buyer Guide.
* Posters ship separately from all other items within the same order.
London, UK, 2021
by Andrew Meredith
The Westway route intertwines West London unveiling a dense landscape with stark contrasts between wealth and poverty. It’s a landscape that’s not really visible when speeding past in a car. Part of the series Walking the Westway, this photograph was taken just after the starting point of the journey at the Wood Lane elevated section in the West. The Westway splits the image in half highlighting the dual nature of the place: above huge repetitive patterns of the apartment developments and construction cranes rise into the mist. Below the ramshackle and dangerous junkyards next to the travellers' site beneath the Westway utilise every tiny space afforded to them.
Specifications:
Size 18x24″ open edition
Digital print on 189 gsm matt paper
Giclée print quality
Unframed
To know more details about this print see the Buyer Guide.
* Posters ship separately from all other items within the same order.
Andrew Meredith is an award-winning interior, architecture and portrait photographer based in London. Shooting globally for editorial and commercial commissions for high-profile clients such as Chanel, Selfridges, Moooi, Google, Burberry, Hermes, Frame Magazine, Elle Décor, Penguin, Esquire UK and USA amongst others.
Andrew studied Photography at Falmouth College of Arts, graduating in 2002 with Honours. Soon after, he moved to London working as an assistant to other photographers, before quickly progressing to shooting independently.
Andrew's editorial and personal projects have also gained his photography high-profile recognition from industry press. He was awarded “Best in Book” in Creative Review's Photography Annual for his Slaughtermen abattoir documentary series, his third project to be featured in the annual. Shortly after, Andrew’s first major solo exhibition opened in 2010 at Riverside Studios, London, and later transferred to London's famous Truman Brewery Gallery. The exhibition featured a selection of images from Excursions, a project showcasing images captured whilst wandering in South America. Andrew’s next personal project Hashima documented the former Japanese mining island of the same name, which was exhibited at Photofusion in 2014 later transferring to the Ace Hotel, London in 2015.
Andrew’s next major project came in the form of Introversion, a landscape project exploring spatial nothingness, which was awarded a bursary to continue the project and was launched and exhibited in full at the Photofusion Gallery in Brixton, London in 2016 before taking a six-month residency at Blacks private members club in Soho, London in 2017.
Andrew is currently working on several personal projects including Neon Garden, a photo-documentary project exploring a 1000-year-old public garden in the middle of Shanghai.
